Green Building

Since 1912, the Toledo Museum of Art’s Greek Ionic façade has graced the city as both landmark and legacy. The distinguished low and horizontal white marble building, designed by Edward B. Green and Harry W. Wachter, is articulated by a row of 16 columns, a copper roof, and a frieze of acanthus leaves. It has been renovated and expanded four times since then.

The colonnaded east and west wings are embellished with large, terraced staircases, an expansive lawn, and the TMA sculpture garden composed of exterior objects of art.

Glass Pavilion

Opened in 2006, the modernist Glass Pavilion received Travel + Leisure’s 2007 Design Award for Best Museum. The building was designed by Kazuyo Sejima and Ryue Nishizawa, lead architects of SANAA (Sejima and Nishizawa and Associates), a Tokyo-based firm known for designing attractive and functional museums that relate well to their sites, and for using architectural glass with extraordinary skill. SANAA won the 2010 Pritzker architecture award for its superior designs.

The exterior and many of the interior walls of the Pavilion are made entirely of glass. The roof and interior structural supports are made of steel. Each of the more than 360 panels—many of them curved—that make up the glass walls measures approximately 8 feet wide by 13 ½ feet high, and weighs 1,300 to 1,500 pounds.

The Glass Pavilion’s 74,000 square feet contains a main floor and full basement. Elegantly simple in appearance but complex in organization, it uses no architectural ornament and is forthright in the display of high-tech modern materials. Essential features include a squarish, asymmetrical plan with rounded corners, low profile capped by a flat roof, clean lines, and pure forms.

Center for the Visual Arts

The Center for the Visual Arts (CVA) was designed in 1992 by Pritzker Prize-winning architect Frank O. Gehry, who has earned international recognition for his buildings’ originality, bold artistic effects, innovative use of materials, and sensitivity to the unique context of individual sites.

Composed of a central block and wings, the CVA is transformed into a V-shaped plan angling toward Monroe Street. Its complex play of forms is generated by varying rooflines, some deeply set windows, overhanging floors, forms that seem to rotate, and curved and straight walls sheathed in metal. By contrast, the quieter entrance façade features simple architectural forms, which frame a courtyard bounded by a three-story wall of tinted green glass.

This boldly sculptural building, structurally connected to the east end of the Museum’s Edward B. Green building, is home to the University of Toledo’s Department of Art and the Museum’s Reference Library.

Peristyle Theater

As part of the Museum’s 1933 expansion including new East and West wings, architect Edward B. Green designed the Peristyle Theater.

A classical concert hall whose name means “an area surrounded by columns,” the Peristyle’s most distinguishing architectural feature is a curving row of 28 Ionic columns, which surround the main seating area, arranged in tiers reminiscent of theaters of ancient Greece. Inspired by a Greek agora, the two-story Peristyle lobby is animated by a painted Greek frieze.

The Peristyle seats 1,750 and was designed with an innovative suspended acoustical ceiling that appears to be open to the sky. Along with house lights that can change from the light of day to the deep blue sky of evening, the theater was engineered to be as acoustically perfect as possible, resulting in a space that provides a marvelous concert experience.

Professional Arts Building

Built in 1939, the TMA Professional Arts Building at Monroe and Parkwood was originally designed by architects Tolford and Lange to house medical offices. The building was purchased by the Museum in 1998 and renovated by SSOE Studios architect Steven Shrake in 2000.

The building today is a combination of historic and contemporary architecture. The original exterior — limestone with recessed entrances accentuated by vertical decoration that continues above the roofline in Art Deco style — remains intact. The interior, however, was entirely reconceived except for the floors, columns, main stairwells, and the elevator. The renovations feature aluminum, ribbed glass, a stepped motif in the stair raisings and canopies, and a music rehearsal studio; it also includes the opening of some two-story spaces to let sunlight into the building’s core.

American Numismatic Society Relocation

In 2025, the Toledo Museum of Art finalized the sale of the Professional Building — an Art Deco structure located adjacent to the main museum campus — to the American Numismatic Society (ANS). The ANS, a nearly 170‑year‑old organization with one of the world’s most significant collections of coins, medals, and monetary objects, will relocate from New York City to Toledo as part of a long-term institutional partnership with TMA.

The ANS is currently preparing the Professional Building for its new role as a numismatic research center, museum space, and public education hub. The organization is expected to begin moving into the renovated building in the first half of 2028, with public-facing exhibitions and programs launching once the space is complete. Select objects from the ANS collection will also be integrated into TMA’s permanent collection galleries as part of the museum’s ongoing reinstallation.